March 22, 1911 New York Dramatic Mirror with Hazel Dawn cover

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RARE March 22,  1911 NEW YORK DRAMATIC MIRROR with Hazel Dawn cover. A Typical Project on Bacon;  and Shakespeare; Truth Under A Jest; Dr. Guthrie’s Prescription; The Survival of the Unfit by Channing Pollock with Pollock photo; Books of Stage Interest on “The Married Miss Worth” by Louise Closser Hale; “Dramatic Value” by C. E. Montague; On the London Stage items on “Peer Gynt” at Rehearsal Theatre under Catherine Lewis management; Pax Robertson amazed the audience; Geo. Grossmith’s “Peggy” at Gaiety…new lead Phyllis Dare attractive if not more than usually daring; Edmund Payne good deal of comedy; Sarah Allgood quite effective in “Falsely True” at Palace; Great German Actor, Friedrich Haase, dies; Death of Howard Chambers; Sarah Cowell Le Moyne: Various Aspects of Truth with Sarah Cowell Le Moyne photo; the Canadian Stage items on Legislation on Board of Censors; compel all churches, etc. To meet same building standards as theatres; Mona Raymond in harem skirt on Yonge Street; Bertha Creighton play “The Twenty third Psalm,”
PHOTOS of Margaret Anglin; Marie Doro; “The Pink Lady” with Wm Elliott, Alice Dovey; “Thais” with Art Forrest, Constance Collier, Tyrone Power; “The Hen Pecks,” Mabel Taliaferro, Gert Robinson in “Beside the Bonnie Briar Bush,” “The Master builder” in London with Rathmell Wilson, Pax Robertson; “The Bohemian Girl” featuring Paul victor, Blanche Duffield, Bertha Shalek, Chas Gallagher; Albert Phillips with 15 lines; “As A Man Thinks” with John Flood, Charlotte Ives, Amelia Gardner, Vince Serrano; Constance Collier with 15 lines; Isabelle D’Armond with 7 lines; interior of New Winter Garden; L. J. Anhalt; Essanay scene; Edison’s “the Price of Liberty,” Biograph’s “Was He A Coward?,” Kalem’s “Sailor Jack’s Reformation,” 2 from Biograph’s “The Spanish Gypsy,” Edison’s “The Doctor,”
PLAYS OF THE WEEK on “Becky Sharp” based on Thackeray, by Langdon Mitchell, revived by Harrison Grey Fiske at Lyceum…great esteem for Mrs. Fiske and her remarkable impersonation; Henry Dixey marked by substantiality and ease…Robert Ferguson won deserved applause…Paul Scardon, Henry Stephenson differentiated the  brothers…
Harold Russell played with unctuous fullness of manner and person…Greg Kelly stood out among smaller roles; Winter Garden’s wealth and gorgeousness, a formidable rival of the Hippodrome; with Mlle Dazie, Al Jolson, Hess sisters, Stella Mayhew and many more; “The Triumph of an Empress:” by Theodore Kremer, produced by Ed White at Garden
…audience’s hearty appreciation for Mildred Holland…booth Chapin voice and manner very pleasing…Jack Standing also noticeable; “Thais” by Paul Wilsatch, founded on romance by Anatole France, produced by Joseph Gaites at Criterion…creditable dramatization…Tyrone Power made a great deal of noise which pleased the audience…Constance Collier beautiful…
she portrayed a Thais but not the Thais…also with Art Forrest; “King Lear” by Shakespeare, at Irving Place featuring Rudy Schildkraut rises to his greatest height in curse scene,…Herr Robert foremost support; Schildkraut also in “Kittschenhum” at Irving Place…where he indelibly impressed his versatility upon his  patrons…Georgine Beuendorff, Ella Robba excellent hits; Jenny Joyce death;
NEWS ITEMS on Constance Collier displayed temperamental richness of varying moods and passions; Arthur Forrest dry and rasping; Mrs. Thomas Whiffen on children on stage; 8 lines on Tyrone Power; Alice Dovey reveals careful training; Wm Elliott better to look at than hear; 14 lines on Eddie Foy; 11 lines on Mabel Hite; 8 lines on Edith Wynne Matthison; 6 lines on Maxine Elliott; 10 lines on Elsie Janis; 3 paragraphs on the New, New Theatre; vaudeville blacklist removed; Bessie Clayton inured in London; Marie Cahill chorus of complements in Chicago; large Boston Emma Trentini audiences; Julia Sanderson delightfully true in St. Louis; Dick Jose hometown ovation in San Fran; Grace Hayward played with verve in Oak Park; Bessie McCoy flattering Indianapolis reception; Countess Thamara De Swirsky pianist with charm and grace; Raymond Hitchcock lived up to reputation in Topeka; Ida St. Leon large, appreciative audiences in New Orleans; Percy Haswell ovation at every Baltimore performance; many St. Paul encored for Montgomery and Stone; Ada Mead excellent in lead in Columbus MS; Rena Vivienne captivating in Buffalo; Rose Melville drew well in Rochester; Adelaide Thurston success in Washington; Madame Sans Gene splendid production in Pittsburgh; Thurston Hall forceful portrayal in Portland; Dorothy Donnelly particularly effective I Providence;
DATES AHEAD for Holbrook Blinn, John Drew, Mrs. Fiske, Doug Fairbanks, and hundreds more;
MOTION PICTURE FIELD SECTION; FILM REVIEWS; FILM RELEASE LISTINGS; Epes Sargent film views,
ADS for back cover Meyer’s Grease Paint; 1/3 page back cover Wm Desmond’s Australia Success featured with J. C. Williamson; Denver Hotel Metropole; Blanche Hall; Leonard Shepherd; ½ page Vitagraph with “The Spirit if the Light” scene (directed by Chas. Kent, starring Chas. Kent, Bob Gaillord, Flo Turner)**; Essanay with scene from “Getting His Own Back,”
Lubin with “When Women Strike” scene; ½ page Biograph with scenes from “Teaching Her Dad to Like Her” (directed by D. W. Griffith, starring Joe Graybill, Dell Henderson, Vivian Prescott)** and “The Lonedale Operator,” (directed by D. W. Griffith, starring Blanche Sweet, George Nichols, Francis Grandon)**;
CONDITION: COMPLETE 36 pages filled with early stage, theatre and motion picture productions, actors, actresses, producer, authors, industry news. WAS PART OF BOUND VOLUME therefore bare spine, restapled, edge wear, edge tears/chips, some upper water damage; lower left chip; decent condition for age.
**   Information within (   ) derived from other sources